Page 23 - Year 7 Knowledge Organiser
P. 23

Drama: 1 of 3                                                                                                                        Drama: 2 of 3



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 d drama terminology  I n s id e   Ou t   –   A ut um n                                                                   Still image
                   T heaT ric al Sk illS                                                                                  Slow motion
           Physical skills                                                                                                Levels
 Script Terminology  Body language -also known as non-
           verbal  communication.                                                                                         Flashback
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 Plot The main events of the play, and the order in which   Posture -how you stand.
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 they’re presented.  Gestures -using your hands or arms to                  D Drama devices                               Marking the moment
           communicate meaning.
 Character The people in the play and who they are (age,
 name, personality)  Movement -how you move your body.                                                                    Choral speech | movement
 Context The 5 W’s: Who, What, Where, When, Why? The   Facial Expression – using your face
 situation. Context of a play can also refer to what was   to  communicate feelings and emotion.                          Soundscape
 happening at the time the play was written (social, cultural,   Different types of facial expressions
 historical)   Eye contact – looking at another
 Themes The recurring ideas in the play. For example,   character  onstage to create meaning.
 themes in Harry Potter would include: witchcraft/wizardry,   Focus -staying in role during a performance.
 magic, friendships  spatial awareness -using the stage area.
 Genre The type of drama: comedy, tragedy, political,   levels -Using different heights or levels
 romance   onstage  to create interest and meaning.
 Style The way it is presented: naturalistic, non-naturalistic,
 physical theatre, surrealism  Proxemics -using space to show the relationship                                      Different types of bodylanguage
 Stage Directions Usually written in italics or inside   between characters.
 brackets, this information tells the actor where to go or what   V o cal skills
 to do.    Pitch -how high or low the voiceis.
 Structure The way the play is set out: Chronological,   Pace -the speed at which youspeak.  Did you know that we can convey
 STYLES OF PERFORMANCE: Naturalism v Non-Naturalism   cyclical, episodic   Tone -suggests your mood and your   countless emotions without even saying
 Playwright The person who has written the play.
 Naturalism = A style of drama that aims to create the illusion of real life. It   Roles in the Theatre  intention  towards the listener, e.g. happy, sad,  a word? We do this through our facial
 should come across as completely believable to the audience.  angry.  expressions.
 Set Designer: A set designer is in charge of designing and creating the sets that appear in films, on   Volume – how loud or quietly youspeak.
 television programmes as well as in the theatre.
 Non-Naturalism = A style of performance that uses a range of dramatic   accent – the voice you use for a character   Facial expressions are used to convey
 conventions, such as still images or monologue. In real life, these conventions   Costume Designer: The costume designer is in charge of designing and selecting the costumes the   based  up on social class & the region they live.
 don’t happen, which is why they make the drama ‘non-naturalistic’.  actors will wear, in order to reflect who the characters are.  Projection – speaking loudly & clearly.    additional meanings in various
 You can also use a mixture of both styles! You could create a piece of drama   Lighting Designer: Designs the lighting in order to create atmosphere, and reflect the time of day for   intonation -how the voice changes in   conversations.
 where some scenes are naturalistic, and others make use of drama conventions.  the production in response to the text, while keeping in mind issues of visibility, safety, and cost.  pitch.  Pause – to stop speaking for a short
           time.
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